The Harvard Business Review has another blog post up from Peter Bregman that I found interesting not for its denouncement of the piece’s actual subject matter, the iPad, but for the case it makes for occasionally finding the time to be bored.
The brilliance of the iPad is that it’s the anytime-anywhere computer. On the subway. In the hall waiting for the elevator. In a car on the way to the airport. Any free moment becomes a potential iPad moment.
So why is this a problem? It sounds like I was super-productive. Every extra minute, I was either producing or consuming.
But something â€” more than just sleep, though that’s critical too â€” is lost in the busyness. Something too valuable to lose.
Being bored is a precious thing, a state of mind we should pursue. Once boredom sets in, our minds begin to wander, looking for something exciting, something interesting to land on. And that’s where creativity arises.
My best ideas come to me when I am unproductive. When I am running but not listening to my iPod. When I am sitting, doing nothing, waiting for someone. When I am lying in bed as my mind wanders before falling to sleep. These “wasted” moments, moments not filled with anything in particular, are vital.
They are the moments in which we, often unconsciously, organize our minds, make sense of our lives, and connect the dots. They’re the moments in which we talk to ourselves. And listen.
To lose those moments, to replace them with tasks and efficiency, is a mistake. What’s worse is that we don’t just lose them. We actively throw them away.
This, of course, required some further reading:
So [Richard Ralley, a lecturer in psychology at Edge Hill University in England] set out to examine boredom more closely, with the idea that the feeling must have a purpose. Just looking around, it was evident that children quell boredom quite naturally, with creativity — even to the point of taking the packaging around a gift and playing with it for hours. But as people get older, anxious parents and cranky children demand more and more specific stimuli, whether it is a video game or a hot new phone.
As Ralley studied boredom, it came to make a kind of sense: If people are slogging away at an activity with little reward, they get annoyed and find themselves feeling bored. If something more engaging comes along, they move on. If nothing does, they may be motivated enough to think of something new themselves. The most creative people, he said, are known to have the greatest toleration for long periods of uncertainty and boredom.
In one of the most famous scenes in literature, for instance, boredom takes time. Marcel Proust describes his protagonist, Marcel, dunking a madeleine cookie into his teacup.
“Dispirited after a dreary day with the prospect of a depressing morrow, I raised to my lips a spoonful of the tea in which I had soaked a morsel of the cake,” Proust wrote. “And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory . . . I had ceased now to feel mediocre, contingent, mortal.”
Marcel’s senses are recalibrated, his experiences deepened, and the very nature of memory begins to reveal itself. But it is only through the strenuous process of clearing his mind and concentrating that his thoughts begin to unfurl completely, immersing him in memory. Had Marcel been holding a silver clamshell phone in his hand instead of the delicately scalloped cookie, perhaps he could have quieted the boredom with a quick game of cellphone Tetris. And had Proust come of age with an iPhone in his hand and the expectation that his entire world fit in his pocket, he may never have written his grandiose novel.